For those of you who met Kent Yoder through the guest post I published here back in June, I have the difficult task of informing you that
Kent died on
October 27th, 2012.
He battled prostate cancer for more than a year before the disease vanquished his body, and in doing so, freed him from his body’s terrible confinement.
I last saw
the weekend before he passed. I went
along with our friend Rick to see him in a hospice facility. We spent some time with Kent, and Janelle,
and a few others who came through to see him.
He looked nothing like the Kent
of just a few short months before, which was nothing like the Kent of a short
year before that. His body looked like
that of a concentration camp victim. He
had that same ageless, ancient look that I remember from photos I would show my
sophomores each year when we read Elie Weisel’s Night together. As with
them, it appeared that it was only the spirit of the man inside that prolonged the life of his body, and prevented it from crumbling to dust on the spot.
I took a copy of the Bible, and a collection of Gary Larson’s Far Side cartoons with me when we went to visit him. If that seems like a strange combination to bring to a dying man, well it just felt right, knowing
to the extent I do. Inside the Far Side book I tucked a copy of the
lyrics to Bridge Over Troubled Waters. I don’t know why. I guess I was just thinking about what might
comfort me, if it were me instead of him.
Elizabeth and I attended
Kent’s memorial service in
November. It was held at the Mennonite
church barely a mile away from our house.
I will always remember the beauty of the music that day, especially the
heavenly harmonies of the congregation.
I wish Catholics learned to sing in harmony like that. At least I would know how to sing. The church hosted a luncheon after, with taco
salad and some chocolate snickerdoodles (called Volcanoes, I think) from Chino
Bandido, one of Kent’s
favorites. It was an especially cold day
for November in Phoenix,
but with a sky so blue that, like the sun, it hurt the eyes to look
at it straight on.
The next day, at our church, one of the songs played during the service was Bridge Over Troubled Waters. In the two years that we’ve been attending services there, I haven’t heard them play that song before. I don’t know why things like that happen, or if they’re supposed to mean anything. It did bring tears to my eyes, though, and I took it for one more example of serendipity, although serendipitious of what I really couldn’t say.
Just a few weeks ago, Elizabeth and I attended Rick and Karri’s white elephant party, which is held annually on the first Saturday of December. It was the first without
Kent in a long,
long while. The composition of the group
has changed over time to reflect new friends and work acquaintances, and so
Kent and I, being old-timers (as well as having worked together for a short
time at the post office), tended to spend much of the party in recent years
around each other, entertaining each other with timely quips and sarcastic
It’s taken me awhile to write this, and it is obviously belated. I knew I needed to say something (having introduced him to you previously, it wouldn’t have been right to allow his passing to go unnoted here), but I didn’t know what, or how much, I wanted to say about him, or about my feelings. I think I needed to process for awhile, as I seem to need to process most things: the more personal, the more processing, the more time. I’m sorry if it seems uncouthly after the fact.
I wrote a poem, which I’ll post separately. It’s called “December Wind.” The poem started out as a counter-Christmas song, a song for people who aren’t made happy by the holiday season. Since I love to play against type, the idea of a Christmas song about being cold and lonely really appealed to me. When I sat down to write it yesterday, though, it quickly transformed from a song to a poem. And instead of being centered on the holiday season per se, it revolves around the last month of the year as a metaphor for death. And while I didn’t consciously intend the poem to be about physical death, there was a point as I was writing when I realized that
was in this poem with me, or at least some of my ideas about him and his
death. I won’t go any further than that,
since to do so without the poem as a reference makes little sense. I just wanted to mention the fact that the
poem somehow ended up incorporating Kent to some extent in the final
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