WALL-E wasn’t one
of Pixar’s bigger hits when it came out in 2008. I remember being somewhat disappointed by it
at the time, although I couldn’t quite figure out why. Many critics raved about the film, and more
than a few still place it near the top of the list of great Pixar movies. I find this somewhat irritating, because I hate
it when I think I might have missed something I really wanted to get. WALL-E
didn’t connect with Elizabeth or Jessica either, resulting in it being one of
only three Pixar movies we don’t currently own (Cars and Cars 2 are the
others). Since we don’t have our own
copy, I made a point of DVR-ing a recent Disney channel showing of the
film. Then one quiet evening last week,
I sat down and watched WALL-E again. I wanted to give it another chance to speak
to me; or failing that, try to figure out why this movie didn’t connect with me
at the level so many of Pixar’s films do.
After watching a second time, I can acknowledge that there
is much to agree with the critics about.
Pixar created a wonderfully expressive character in the robot WALL-E,
who conducts his daily business while longing for love and for a connection to
something more than a cockroach in his trash-heap world of endless desolation. Following him in his day-to-day life is by
far the most fascinating and entertaining part of the movie. It is extremely well-crafted, revealing bits
and pieces of the background story creatively and seamlessly, helping the
viewer to understand where we are, what has happened, and WALL-E’s purpose
without the need for dialogue. It is a
tremendous exercise in visual storytelling, and I don’t think I gave it enough
credit in this respect the first time.
As the film unfolded, I was reminded that there are several definite biblical undercurrents in WALL-E. In the
strange, new world of the Earth’s future, WALL-E represents the original man, a
new kind of Adam. Although he was originally
created as just one of a global army of trash-mashing robots charged with the
task of cleaning up our tragically waste-covered planet, WALL-E is the only one
that continues to function some seven hundred years later. By being the last one standing, WALL-E
becomes, in a way, the first. Almost immediately,
we learn that he is painfully aware of being alone. He picks up odd pieces of junk and artifacts
that connect him somehow to the people that once existed there, and he repeatedly
plays an old VCR tape which reveals his yearning to love and be loved.
Just as Adam was lonely in the Garden, WALL-E is lonely in the toxic dump where he lives. In the bible story, God sends Adam a mate, a woman; in the movie, the far-distant humans send a sleek, new female robot who accidently finds WALL-E. Both females are named Eve. Much of what follows in the film is a love story between WALL-E and Eve. In the climax, WALL-E performs a Christ-like act of self-sacrifice to make possible a rebirth of life on Earth, although in Wall-E’s case, it is literal and not spiritual life.
Just as Adam was lonely in the Garden, WALL-E is lonely in the toxic dump where he lives. In the bible story, God sends Adam a mate, a woman; in the movie, the far-distant humans send a sleek, new female robot who accidently finds WALL-E. Both females are named Eve. Much of what follows in the film is a love story between WALL-E and Eve. In the climax, WALL-E performs a Christ-like act of self-sacrifice to make possible a rebirth of life on Earth, although in Wall-E’s case, it is literal and not spiritual life.